Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

About Us
email

90,680 paintings total now
Toll Free: 1-877-240-4507

  

Bierstadt.org, welcome & enjoy!
Albert Bierstadt.org
 

Elisabeth Keyser
Fransk bondflicka med mjolkspannar

ID: 85634

Elisabeth Keyser Fransk bondflicka med mjolkspannar
Go Back!



Elisabeth Keyser Fransk bondflicka med mjolkspannar


Go Back!


 

Elisabeth Keyser

painted Fangsten bargas - Arildslage in 1889  Related Paintings of Elisabeth Keyser :. | Fangsten bargas - Arildslage | Day dreams | Fransk bondflicka med mjolkspannar | Fransk bondflicka med mjokspannar | Fangsten bargas Arildslage |
Related Artists:
Giovanni Camillo Sagrestani
(1660-1731) was an Italian painter of the Baroque era. A native of Florence, he was a follower of the style of Carlo Cignani. His major pupil was Matteo Bonechi (1672-1726) and Giovanni Battista Ranieri del Pace. Four canvases attributed to Sagrestani can be found in the church of Santa Maria della Fraternite in Foiano della Chiana. He also executed works in the church of San Frediano in Cestello, in the Oltrarno district of Florence. Paintings in the church of SS. Annunziata in San Giovanni Valdarno are attributed to Sagrestani. An Assumption of the Virgin is found in Nancy.
De Winter Pharaon
French realist painter , 1849-Little 1924
Carlo Saraceni
1580-1620 Italian Carlo Saraceni Galleries Carlo Saraceni (Venice 1579-Venice, 16 June 1620) was an Italian early-Baroque painter, whose reputation as a "first-class painter of the second rank" was improved with the publication of a modern monograph in 1968. Though he was born in Venice, his paintings are distinctly Roman in style; he moved to Rome in 1598, joining the Accademia di San Luca in 1607. He never visited France, though he spoke fluent French and had French followers and a French wardrobe. His painting, however, was influenced at first by the densely forested, luxuriantly enveloping landscape settings for human figures of Adam Elsheimer, a German painter resident in Rome; "there are few landscapes by Saraceni which have not been attributed to Elsheimer," Malcolm Waddingham observed, and Anna Ottani Cavina has suggested the influences may have travelled both ways. and Elsheimer's small cabinet paintings on copper offered a format that Saraceni employed in six landscape panels illustrating The Flight of Icarus; in Moses and the Daughters of Jethro and Mars and Venus. Saint Sebastian Castle Museum, PragueWhen Caravaggio's notorious Death of the Virgin was rejected in 1606 as an altarpiece suitable for a chapel of Santa Maria della Scala, it was Saraceni who provided the acceptable substitute, which remains in situ, the only securely dated painting of his first decade in Rome. He was influenced by Caravaggio's dramatic lighting, monumental figures, naturalistic detail, and momentary action (illustration, right), so that he is numbered among the first of the "tenebrists" or "Caravaggisti". Examples of this style can be seen in the candlelit Judith and the Head of Holofernes. Saraceni's matured rapidly between 1606 and 1610, and the next decade gave way to his fully mature works, synthesizing Caravaggio and the Venetians. In 1616?C17 he collaborated on the frescoes for the Sala Regia of the Palazzo del Quirinale. In 1618 he received payment for two paintings in the church of Santa Maria dell'Anima. The compositional details of his fresco of The Birth of the Virgin in the Chapel of the Annunciation of the church of Santa Maria in Aquiro are repeated in a panel on copper at the Louvre In 1620 he returned to Venice, where he died in the same year. He was so influential on the style of an anonymous still life painter working in Rome, that the man is known as "Pensionante del Saraceni"






Albert Bierstadt
All the Albert Bierstadt's Oil Paintings




Supported by oil paintings and picture frames 



Copyright Reserved